News

Low Hum shares new single + video “Escape”

Watch the music video for “Escape” on YouTube. Save/stream “Escape” here. Today, Low Hum shares the brand new single “Escape” via the music video directed by Bianca Poletti. “Escape” is the first new music from the Hawaiian-born, Los Angeles-based musician Collin Desha since the release of 2019’s debut album Room To Breathe. Aside from garnering recognition from NPR Music, KCRW, Relix and Clash Magazine among others, Room To Breathe engendered comparisons to the stylings of Tame Impala and beloved UK group The Beta Band. The songs on the album have found a global audience on YouTube and Spotify, with 10s of millions of organic streams among music fanatics on message boards and social media....

Mobley shares new single “James Crow”

Announces Curbside Tour & collaboration with Austin Public Library. Save / stream “James Crow” here. Genre-bending musician and multimedia artist Mobley is known for creating catchy hooks and melodic pop songs that never leave your head. With his newest single, “James Crow,” he’s created a shout-along ‘60s rock band sound (assisted by Spoon’s Jim Eno on the mix) with thought-provoking lyrics that may take a second to sink in. Mobley wrote the song in 2018 when he was away in Thailand, where the distance from the US opened up themes of belonging, alienation and speaking truth to power. Allusions to segregation and...

Rhye unveils “Helpless”

Rhye — the project of Canadian-born JUNO Award-winner, Michael Milosh — releases a new slinky, R&B number, Helpless, with an accompanying video directed by his partner, Genevieve Medow-Jenkins. Following the recently released Beautiful, which “starts with a throb of strings before cohering around a sharp beat and muscular bass line, distantly echoing solo Bryan Ferry tracks from the early Eighties” (Rolling Stone),  Helpless focuses on love in its most intimate and romantic form. With his distinct countertenor, Milosh chronicles the desire to “write a million love songs,” not as a grand gesture but an everyday promise. His voice glides over an euphonious blend of percussion, string arrangements, and a flurry...

Noble Oak releases Morning (KONGOS Remix)

Noble Oak’s shimmery track “Morning” has received the famed KONGOS remix treatment. While the album version of “Morning” evokes a War On Drugs meets Washed Out sonic journey, KONGOS have elevated the track in showcasing an arena-worthy track full of kaleidoscopic beats and flourishing synths. **Click to save/stream “Morning (KONGOS Remix) The original version of “Morning” is featured on the Vancouver electro dream-pop artist’s album Horizon, released earlier this summer. Lauded for breathing “fresh air into the electronic dream pop world” (Exclaim), Horizon marked Noble Oak’s debut for Last Gang Records and is an enchanting collection of post-chillwave pop, a sumptuous suite of sativa songs for...

Louis Prince releases Friends, a collaborative audiovisual zine

Today Louis Prince (aka Jake McMullen) shares the audiovisual zine “Friends”, a collection of 120 sounds and 100 images from 80 different contributors. Driven by McMullen’s desire to connect with friends during social distancing, the zine serves as a collective digital time capsule of life during the COVID era. The goal, explains McMullen in further detail below, was “to illustrate how sound ties us all together.” Louis Prince’s debut album Thirteen, which saw its release on Friday, March 13th just as the world began to shutter itself, is out now on Last Gang Records. Among other praise, Exclaim! lauded the album for “a...

Foster The People reworks Mobley single “Nobody’s Favourite”

Austin musician/multimedia artist Mobley is excited to share Foster the People’s rework of “Nobody’s Favourite,” the first single off Mobley’s forthcoming EP.  His friends in the LA-based band were more than happy to offer their interpretation of a song described by Mobley as “the internal monologue of a powerful scumbag.” Premiering at Flood, who said “Foster the People have endowed him with a pumped-up reworking of the single, veering a bit further from the underlying rock influence of the original.” Save / stream the rework here. Isom Innis of Foster The People described the genesis of the new version: “I’ve been really...